Showing posts sorted by date for query wangdue dzong. Sort by relevance Show all posts
Showing posts sorted by date for query wangdue dzong. Sort by relevance Show all posts

27 September 2018

Battles People Fought in Animating Pemi Tshewang Tashi

Still from the movie: Pemi Tshewang Tashi approaching Trongsa
When Tharchen told me that he was going to make an animation movie I didn’t know how to respond. It sounded exciting but very impractical. All he had was a bunch of high school graduates, whom he was mandated to train and give employment. It was a suicidal mission. But who was I to tell him, especially so when he was so determined to the extent that he was talking as if he saw the end.

Tharchen, The Dream Maker
Deep down, I knew he would come to his senses and give up on the idea of building a sand castle in the cold Himalayan air. He was just done building a company, iBEST Institute, that was doing so well, and by all means he deserved to enjoy his success for good few years before he took a shot in the dark, that could topple his company. Just some years ago, which he seemed to have forgotten, he went to start a dairy farm in Dagana, which should have taught him some good lessons.

Despite my subtle disapproval he went on. Art classes for 25 young trainees began in earnest. Some months later, Tharchen was beaming with pride when he invited me to an exhibition of artworks done by his trainees. I was least impressed. I saw no possibility that those hand could be used for producing artworks good enough for an animation movie. But you should have seen the look on the face of the man, he was so sure and ever more convinced.


His business partner, Sonam Rinchen who should be worried and cautioning him about taking such uncalculated risk was rather the cheerleader of this idea. Oh, perhaps this explains how they found each other in the first place.

The furthest I could see them go with the project was producing a namesake animation movie that’s barely watchable and everyone saying, “It’s ok for a made-in-Bhutan animation, after all we don’t have the skills and technology, blah blah…” I remember telling Tharchen that at this age and time, when world is so connected in real time, we cannot just complacently use brand Bhutan as a sad excuse for producing a pathetic result. We must rather understand that the Bhutanese audience has seen the best of animations from across the world and it won’t be easy to impress them anymore.

The training was still going on in one room and in another room, I was seated with the script writer, translator, and other consultants to review the script. I could not believe it was really happening. The story was not only decided but even the script was drafted. It was based on the ballad of Pemi Tshewang Tashi. I was still wondering if Tharchen was serious about his trainees doing it. But he surprised me further by unfolding his project timeline where the date of launch of the movie was set. 


On the floor above where we were, iBEST Studios, where the movie will be made, was being set up at the cost of at least two million Ngultrums. On my way out of the review room, I peeked into the training room and pitifully prayed for the trainees, who have no idea what they had signed up for.

After a year since it began, the training ended and certificates were awarded. With any other training course, that would have been the end. The trainees would proudly leave with the certificate, regardless of what they had learnt. But this, like I said, was an interesting case, where a real project was awaiting them already. It was a test both for the iBEST Institute and the trainees.

While the long preproduction was taking its painful course the newly certified animators tried their hands on several small projects. I didn’t know how long they took or how painful it had been but they were able to produce about a dozen tiny pieces of animations. However, they were nowhere close to what it would take to make an animation movie. Tharchen could still make a U-turn at this point. He didn’t. Sonam Rinchen continued to stand behind him.

The next time we met, Tharchen presented the storyboard. By then he had diligently gone sniffing after everyone in Thimphu who carried the slightest scent of animation-related skill on them and finally it had dawned on him that all he had with him on this mission was his pack of 25 underdogs. There was hardly anyone out there who was ready to commit to such a huge project and the discipline it would require.

At least he managed to pull in portion of commitment from some people who are critical for the project. His used his mastery over the human resource management to delegate responsibilities and streamline the process and let the ball rolling. Six months into the project, seven people backed off. On the home front his marriage was failing. He was the last person to realize that all was not well behind his back. It snapped when he had the least energy to deal with it. It was becoming increasingly painful for me to visit him because each time there was a lot that had happened, much of that being unpleasant. But to his credit, his focus on the project was completely undistracted. He would show me fragments of impressive works and make me watch over and over.


Marching Back to Wangdue Dzong
By the time the project was due to end, I visited him to share his joy but it turned out to be the worst time for celebration. They had put together everything and saw that it was nothing like they had envisioned. It was indeed a sorry excuse of an animation movies that he didn’t even care to show me. For the first time in all times, I saw the man beaten. He declared that it was not happening. He spent so many sleepless nights for a dream, which just crumbled on his feet. It was one damn expensive blunder and unceremonious end to his ambitious project.

I learnt later that he gave a heartbroken farewell-like speech, shutdown his computer and went home to sleep. He surely needed a good rest but not with such burden on his mind.

The orphaned team realized what hit them. They went to wake their leader and promised him that they would complete what they had set out to do. He shut them out hopelessly and went on with his self-imposed isolation.

And perhaps that was exactly what he needed, because it was during this quiet moments with himself, he later shared, that he could assess the whole scheme of things. It was then he realized that it was not just his project and his dream that crumbled; it was his responsibility to his business partner and his team of young people who marched after him with the hope beyond this one project. The whole future ahead of them. It was their dreams too, and he was the captain of the sunken ship.

It was in these moments that he had the shrewdness to look back objectively on those few fragments of animation that were promisingly smooth. Then the whole arena of possibility became apparent to him. He went back to office the next day and began rebuilding the whole structure of hopes and dreams.

He took the direct responsibility of the all three departments that were there, which worked independently but must be in sync with each other. He removed any cloudy layer in-between him and his three teams. They agreed to work till dinner time with dinner provided in the canteen next to their office. The team unity grew gradually and began to feel like one strong beam of energy concentrated on the new-found purpose. The office literally became their home. They were motivated to stay little longer each night and soon they brought their sleeping bags and blankets to office. There found more purpose in staying after the dinner to work few more hours than going home to waste their time on TV. In the morning hours, I have seen them sleeping like logs on and under their office tables or running around with their toothbrushes looking for water.


When office became home.
Tharchen himself hadn’t seen his bed at home for months at end. In fact, he must be the only one among the team who slept with his shoes on, I saw it myself. Sleeping in the office was not the important part, it was the long waking hours that they made best use of which made all the difference.

I thought they were picking up from where they had left and trying to complete the project on the deadline but it turned out that they were starting all over again, and this time it was all so different. I knew it was at a new level when they released the first song from the movie. Before I could truly comprehend the extent at which they have grown in last few months, they released the second song. They were on fire.

I didn’t visit them much during this period because I didn’t want them to waste any minute of their time but I did pay them visits every time Tharchen summoned. He was specific about when I should come or whom should I come with, it’s often my daughter who accompanied me because he wanted our diverse views on parts of their work. During these occasional visits, I have seen some kind of a renaissance at iBEST Studios, strong energy overflowing at every desk, no one looked sleep-deprived or exhausted. They were seeking more dopamine from their work.

On one casual visit, my family got the opportunity to watch the voice artists recording for the characters. Over 50 voice artists are chosen from Bhutanese radio and film industry for 40 different types of voices they needed. I wondered why they needed people from movies when it’s not even about acting on camera but Tharchen told me that he wanted the best. Interestingly, my daughter was asked to try out recording for Lhaden Zam, Pemi Tshewang Tashi’s daughter because the voice they recorded earlier sounded little matured for the little girl character. My girl pulled off quite well and thus became part of the project.

Ninzi at iBEST Studios recording for Lhaden Zam
When the trailer came out I couldn’t believe that the team who started their training from basic art classes had come so magnificently far. In the words of His Majesty the King, “It’s not about if you can or cannot do, it’s about if you will or will not do.” They have done it. 

Now that the movie is in the cinema, it’s out there for everyone to see how much our youths can do, which takes more than just some training opportunity but a tharchenian push. It’s an animation that’s so far, the best ever produced in our country, perhaps the longest and comparable to its cousins across the world. They went for nothing less than excellence.



Warriors at iBEST Studios!
Over Nu. 15 million was invested in this project, which was enough to produce at least five regular movies and Tharchen knows that he will never recover this amount at the Bhutanese box office. He admits that half the investment went in the mistakes they made, the expensive mistakes that eventually pushed them to the level they never thought they could possibly attain. He believes that the best returns from the investment was the empowerment of his youthful team that has now become an asset to our country and to themselves. It’s so intangible, he told me, but that’s what gives him peaceful sleep.


05 November 2015

Bloggers Conference in Paro

The Second Bloggers Conference held in Paro College on 25th October 2015 was a huge milestone for the Community of Bhutanese Bloggers. We were able to bring the event to a magnificent campus, get a notable sponsor and draw a decent crowd.

Venue: Paro College of Education
Sponsor: National Airlines Drukair
Supporters: iBest Institute and Bank of Bhutan
Speakers: Karma Choden, Dorji Wangchuk, Nima Dorji and me
Format: 15 minutes speech with presentation followed by 10 minutes Q&A for each speaker
 
Attendance 
The event took a special place in my heart because it happened in Paro, my home ground for the first time. Every other event, formal and casual, related to bloggers had happened away from me in the past and I had to travel the longest. This time everyone travelled except me. We had bloggers attending from Wangdue, Trongsa, Tsirang and of course mostly from Thimphu.

I was given to talk on Social Media. I got excited because it was something I use each day more than the restroom. It was my cup of tea but when I sat down to write my 15 minutes speech I realized my cup of tea had no bottom. It was like the black hole and still growing.  

Then I decided to confess my ignorance about the depth of the subject and talk about how an ordinary person could use it each day to enrich our lives and things around us.

But I didn’t surrender easily because even the unknown could be defined as unknown, so I gave a brief background on the ever growing power of social media.

“A few years ago, only privileged individuals on TV and Radio could talk to thousands of people at a time, and people who wrote in newspapers were read by thousands, as a teacher I had the privilege of speaking to an assembly of over 700 students once every two month when I was the teacher on duty (TOD) but other than that our usual conversations were between two persons or a small group.
 Today, in the age of Facebook, YouTube, Instagram, Twitter, and of course blogging each one of us is as privileged as a newspaper journalist or a TV anchor. Any minute we can take out our phone and write something that will be read anywhere in the world by the time we get out of this hall.
 There is a new dimension to social media that wasn’t there in mainstream media, which is the ability for your audience to respond to you and share your content among their friends. This new dimension works like nuclear power, thus making it the most powerful form of media.
 Social Media gives ordinary persons like you and me the means to influence the world from our toilet seat using a mobile device that can be held in one hand and operated with a thumb. Social Media has given each one of us the power that we don’t fully understand yet. This world will be a great place if this power was given selectively to all the good people but the bad news is it is given to everybody. “

I categorized people on earth into four groups, because as is on social media we are no more divided by geographical boundaries:
  1. The Users, people who use social media as tools to do good
  2. The Abusers, people who abuse social media as weapons to cause harm
  3. The Clueless, People who don’t know what they are doing on social media and therefore become the victim.
  4. The offliners, People who are not on social media.


I then described myself as a user who has thus far made the best out of social media. I told stories of my blog, my Groups and Pages on Facebook that are geared toward enriching our social lives and spreading positive energy and I fondly talked about Bhutan Toilet Organization that began on Facebook.

The speaker before me, Ms. Karma Choden spoke about Leadership of Self, the foundation of which was the words of his majesty the king;

“What we need is not a Leader to lead the Masses – we need Leadership of the Self.”
“How does Leadership of the Self – being better human beings – translate to a better world? “
“No one should be left behind. This we must achieve without waiting for some great leader or genius who may or may not ever emerge – we should instead seek to do so, each of us, on our own.”

And when I spoke of social media as power in our hands I could easily relate the leadership of self as the guiding principle each time we deicide to hit the post button.

The third speaker Mr. Nima Dorji, a lawyer and blogger, spoke on the thin line that exist between the Right to Reputation and Right to Freedom of Speech -that is the law on defamation. This topic was something everyone on social media must know at this time and age, because we really must know how far to push our freedom of speech into other’s right to reputation.

The final presenter Mr. Dorji Wangchuk, a senior journalist, blogger, professor and activist, talked about his model of journalism—The Middle Path Journalism. He boldly declared that our media is directionless at the moment. The journalist trained in different parts of the world imported the models and therefore even in one media house we could see various forms of voices. He took us down the historical journey of development of media in different parts of the world including Bhutan and shared with us how media in each region were shaped by history; by colonialism, civil war, the world wars, the cold war, the industrial revolution, etc. He then asked which country’s model would work for Bhutan, the country with entirely different history and values. Following is what he shared about varying values and I think this is a food for thought for the media fraternity, and for the blogger community.

Ê Western Values = rights, justice, equality, liberty, freedom
Ê Western Civilization = Individual
Ê Eastern Civilization = collective
Ê Bhutanese Values = tha damtsi (Commitments), tsam tsay (Contentment), maang and Za Saang (Community/Family), Nyinzhay (Compassion/Empathy), Lay Jumdray (Cause/Effect)   

Hon’ble Sangay Khandu, MP in National Council from Gasa moderated the conference and he was someone who could add value to every talk. More than anything I hold the highest regard for the man for being there in every little event, no matter how far, and spent his valuable time with us, and at times even paying for our lunch (lol).
At Drugyel Dzong!


To make the event even more memorable we headed to Drukgyel Dzong in the afternoon and spend quality time talking about life and history, until it became so cold and dark. Except for a few Paro College students and me the rest of them had to travel back to Thimphu and as we parted we decided that between this and the next conference in 2016 we should have an Annual Dinner in Thimphu. All the members of CBB are invited. It shall be after December 17.

At Drugyel Dzong, with our invention- The lamp!

23 September 2015

The Darkest June

The cover of The Darkest June with the picture of Wangdue Dzong on fire was enough to fascinate me. I wondered how could anybody build a story around June 2012 Wangdue Dzong fire but again it was Dasho Karma Tenzin Yongba, who could be trusted to do something strangely bold. Having served in the police force all his life crime story was his love story. His first novel The Restless Relic and collection of short stories Barnyard Murders were testimony to his mastery in the genre.  

Wangdue Dzong is a subject so close to my heart because I have begun my career in the shadow of that majestic Dzong and have seen it every day for six years until one day I saw it being razed down to the ground. I wrote about it in iWitness. I have written many more stories on the Dzong during my seven years in Bajothang. Therefore I have a special interest in anything that's about Wangdue Dzong.

As seen from where I stood on June 24, 2012

The official story stated that the fire was caused by an electric short circuit. The short circuit excuses helped solve many fire disaster cases, and Wangdue Dzong's was no exception. Beyond the official story, we looked no further because we took it as a sign of a fateful time that had come. Nothing could have stopped. No human was held responsible.

Book Cover from BOOKNESE

In The Darkest June Author Karma Tenzin has woven a thrilling conspiracy around the June 2012 Fire. Two parallel stories begin in 1964, one in France and the other in Trongsa, and end in Wangdue in June 2012 with the fire. Professor JD has visited Wangdue Dzong two years before Jambay sees it on his maiden journey en route Trongsa to Thimphu. He sees a dream of Wangdue Dzong engulfed in an inferno. The bad dream that he has that night under the tree in Wangdue haunts him for the rest of his life. 

Professor JD is found dead in his apartment only days before his journey back to Bhutan. He was going to return the diamond he discovered in the rock sample he stole from Wangdue Dzong two years ago to the government of Bhutan. His death puts the case to a long slumber until his granddaughter tries to connect the dots and finds the key to the locker where her grandfather has kept the papers and the diamond. 

Through Jambay's journey in Bhutan, the author subtly takes us on a nostalgic ride into our past; beginning of towns and roads in the country. Jambay meets a nice Tibetan couple who gives him shelter in his initial days in Thimphu but his affair with the young wife makes him leave Thimphu. In Phuntsholing he makes a humble beginning with a warm Sherpa family and goes on to become one of the top businessmen. 

He marries into the same Sherpa family with their niece. Later his daughter helps him in his travel business. That's when the two worlds meet. Though Professor JD's granddaughter takes her share and drops her interest in the rock, his partners pursue their search for the origin of the rock in Wangdue. They book their many tours through Jambay's company. His unsuspecting daughter leads the final tour in June 2012.

In 29 short chapters the book gives you doses of love, lust, family tale, wealth, crime,... and within a few hours, you would be on the last page wondering if Wangdue Dzong fire was really caused by a short circuit. It gives wings to your own imaginations. You would find yourself playing with even more complex conspiracy theories as if to justify the loss of a great national monument.

I have carefully avoided the details of the story to reserve the true charm and I must tell you not to judge the book by its substandard cover design. The book truly deserves a better cover and title font. And before I forget, please be warned that it's a work of fiction. 

The book is available on BOOKNESE

19 July 2015

The Divine Bastards

"Bastard" is not a nice word to use no matter how politely you put it. People try to polish it as 'fatherless', but how can a child be born without father? Dzongkha equivalent word for bastard is Drang, which is equally devastating, therefore in some regions it's coded as 'child of rooster'.

A person born out of wedlock is referred to as a bastard and even if you are one you don't want to be addressed so. You would rather say your father was killed by a snake than to admit that he was alive somewhere with no regard for you and your mother. But how would you react if you were a bastard of a supernatural father?

I counted three prominent figures from our past who were proud to be called bastards because they weren't fathered by ordinary beings. They were believed to be bastards of powerful local deities of three different regions. 

Paro Penlop Agay Haap was believed to be the drang of Ap Chundu, the powerful local deity of Haa, Tapön Migthol, the chief bodyguard of famous Chakpa Sangay was believed to be the drang of a local deity of Tangsibji, Trongsa and Kawang Mangkhel was considered the drang of Dechenphug Gayney. They lived with the reputation of being invincible.

Dr. Karma Phuntsho, in his book History of Bhutan, says, "Such stories of beautiful maidens being impregnated by local gods and spirits were well known in medieval Bhutan and often used for explaining the unusual physical strength and agility of some men. These children with non-human fathers are often referred to as bastards or drang of particular deity or spirit and their formidable strength attributed to their non-human paternal origin. "

All the three divine bastards coincidentally lived during Jigme Namgyal's time. Imagine the bravery of Jigme Namgyal to have the heart to live and fight among people of such deadly reputation. Except for Penlop Agay Haap the two others were Jigme Namgyal's biggest hurdles in the western regions, though in different times. 

Our country saw re-ignition of civil war in 1850 during the reign of 38th Desi Wangchuk Gyalpo. Following a biased verdict that went against Agay Haap and his allies, they stabbed the desi to death and installed Zhabdrung incarnate Jigme Norbu as the 39th desi. On the other side of Dochula Chakpa Sangay appointed himself as Desi and took control of Punakha and Wangdue, thereby dividing the country into two.


Jigme Namgyal was not even Trongsa Penlop then when he was invited by Agay Haap’s Party to fight along side his cousin Desi Jigme Norbu. After the military campaign Jigme Namgyal and his two brothers stayed back in Punakha and it was then that he ambushed Chakpa Sangay’s righthand Migthol. The invincible chief of Punakha troop, who was reputed to have super human strength, died in the hands of Jigme Namgyal against whom he held grudge from their earlier meeting during the reconstruction of Punakha Dzong. 

Agay Haap was Paro Penlop for the longest time and lived up to his invincible reputation and perhaps died a natural death. Among many legends, he was known for setting Zhabdrung incarnate Jigme Norbu free from Punakha Dzong when Chakpa Sangay and allies took control of the dzong. Finally it was him who put an end to Chakpa Sangay chapter by faking reconciliation and presenting him with a silken robe infected with smallpox, which killed him.

And the last divine bastard, Kawang Mangkhel appeared in the later part of Jigme Namgyal’s life when he became the 51st Desi. He was aspiring to become Paro Penlop and his brother Kusho Lama Tshewang was then the Thimphu Dzongpon. The two brothers were standing between Desi Jigme Namgyal and his absolute power over the country. In order to expand his dominance over the western region Jigme Namgyal plotted to remove the two brothers and the first target was Kawang Mangkhel, who was the invincible one. Jigme Namgyal forged alliance with Kawang Mangkhel and helped him overthrow Paro Penlop Kipsep only to let him die in the hands of his own spiritual brother Toeb Chushing and the ousted penlop on the very day of his appointment as new Paro Penlop. He was stabbed and thrown out of the window of Paro Dzong. 

Jigme Namgyal, an ordinary son of human parents removing among many the two most feared people who were considered the crossbreed of human and deities from his path, established himself as the most invincible man in the country.   


Disclaimer: This article is focused on the three interesting characters and a few diluted summary of their history. To derive real satisfaction of reading history I recommend Dr. Karma Phuntsho’s History of Bhutan and Tshering Tashi’s Myth and Memory.

04 July 2015

Journey of Terton Sherab Mebar’s Kudung (body)

In my last post, I have briefly narrated the history of Terton Sherab Mebar, the first known treasure discoverer to have set foot in Bhutan. As promised I will narrate the history of his kudung (body) that seemed to have a life of its own and created history and mysteries greater than the living Terton himself.

Because Terton Sherab Mebar went against the prophecy one too many times and compromised the whole divine mission he had been assigned to, his mission on earth seemed to have been terminated prematurely. He died in his thirties, leaving behind many unfinished works. He was supposed to visit Nub Tshonapatra seven times and discover treasures that will make our country rich in all times to come, but his first untimely attempt jeopardized everything.

Terton Sherab Mebar lived in Pangpisa after that life-threatening mission to Nub Tshonapatra when he was called to attend a big event in Baylangdra, Wangdue. Before leaving, he summoned the nine households in Pangpisa and asked them to bring him a stone that could fit in his palm. He was presented with a broken piece of stone. He asked if the stone was already in that shape or did the people break it into that shape to fit in his palm. He took it as a bad sign when he was told that the stone was a freshly broken piece. He told his nine patrons that the signs said he might not return alive from Wangdue and therefore instructed them to bring his body back to Pangpisa.

He squeezed the stone with his bare hands like wet clay and left his handprint on it. This stone with his handprint was one among many such rocks he left behind from different occasions. In fact, every household in Pangpisa owned one each besides the six that were in the temple. One was a chunk of gold he took from Pasakha during his failed mission of unearthing an endless supply of gold, silver and salt.

As foreseen, Terton Sherab Mebar died in Baylangdra, Wangude and the message reached Pangpisa. A group of men was sent to claim their Lam’s kudung (body) as wished by lam himself, but people in Baylangdra turned them away. They said it was the lam’s destiny to die in their village; therefore, the body must rest there.

The disappointed patrons of Pangpisa spied on Baylangdra ever since. They planned to strike during the harvest season when every able man from the village went on their annual alms seeking event. The temple where the kudung was preserved was guarded by a lame gomchen who couldn’t go with the rest. Men from Pangpisa waited for this moment, and without wasting any time, they barged into the temple and tied the lone gomchen onto a pillar, and to keep him from starving, they placed a huge pot of porridge at his reach to last through until the villager returned. Thus, the kudung was stolen and brought to Pangpisa.

There is no record of what happened after this event until centuries later, after Zhabdrung’s era. It was during Tshulthrim Namgyel’s (Popularly known as Penlop Haap) reign as the Parob or Paro Penlop (governor of Paro), that he asked the people of Pangpisa to hand over the kudung to the central government in Paro for better preservation. Paro was the centre of Western Region, then. He explained to the people of Pangpisa that the Kudung was a national treasure and the there could not be a better place for the kudung than Paro Rinpung Dzong. It could be safe from disasters and also secured from Tibetan invaders.

People of Pangpisa reluctantly consented to hand over the sacred remains to Paro Dzong, intending to secretly steal it back. The Kudung was stored in the Marchey of Paro Dzong, secured in a wooden box and sealed into the mud wall. No sooner did they give away the kudung, they began plotting to steal it back. They planted one of their local monks to spy and get access to the Marchey. The monk started chanting Dem, the prayer in the worship of Jetsun Dema, from day one. He made the entire Dzong believe that he was the best candidate to be the caretaker of Dema Lhakhang, the chamber in the Dzong dedicated to Jetsun Dema.

That was their first move; they wanted to get access into the Dema Lhakhang because beneath it was the Marchey where their lam’s kudung was kept. Meanwhile, some men from Pangpisa worked with blacksmiths in Paro Woochu to forge iron rods with hooks on one end, and the rest of the men worked on creating a proxy of Lam’s kudung using clay.

One day, when most elder monks were out of the Dzong for rituals, the team from Pangpisa sneaked into the Dzong with the proxy kudung and got straight into the Dema Lhakhang. They removed the floorings that were straight overhead the kudung and, using the iron rods, fished the box containing the kudung. Unfortunately, they discovered the box was too big for the narrow gap between horizontal beams running across under the floor. According to their plan, they were to lift the box into Dema Lhakhang, take out lam’s Kudung, replace it with the proxy and place back the box in the Marchey as if nothing had happened.

But their plan failed when they couldn’t lift the box through the beams. They then broke open the box in midair and tried to take out the kudung, but they found that even the kudung wouldn’t fit through the gap, except for the head. When they ran out of ideas and time, they decided to at least take something, if not the whole Kudung, so they cut off the head from the body and replaced it with the head of the proxy kudung. The box was sealed again and placed back.


For the next many years, no one knew about this high profile break-in, not until a fire disaster that razed down Paro Rinpung Dzong (Date to be confirmed), about which I couldn’t find any information yet. Penlop Haap Agay Haap was still in Power, and he was said to have jumped into the raging fire to save the kudung. Everyone thought he might have burned himself to death, but he came out of the fire with the box without so much as a blister and without even burning a single strand of his hair.

When they opened the box to assess the kudung, they found the head of the kudung had turned into earth. This saddened the Penlop, but he found that the rest of the body was intact upon further inspection. Then he knew that something was done with the head. He furiously tried to detach the clay head from the body but soon figured out that the clay head had merged with the body. It’s said that the clay head gradually turned into a real head and smiled at the Penlop. He lived with much regrets for not being able to ask anything when the kudung came alive for that brief moment.

Penlop Haap rebuilt Paro Rinpung Dzong and placed the kudung back in the Marchey of the new Dzong. However, he was told that the Dzong would be destroyed yet again in times to come. He, therefore, prayed to be reborn in Paro so that he could be the one to rebuild the Dzong again.
Ruins of Paro Dzong (1907) - Shared by Tshering Tashi

In 1907, when Paro Penlop Dawa Penjor was in power, Paro Rinpung Dzong suffered another major fire disaster. The penlop was said to have fainted twice, once when he was told about fire, and next then, he reached the Dzong and knew the Kudung could not be salvaged. So that was the end of the long journey of Pangpi Lam’s Kudung, across almost 700 years.

Penlop Dawa Penjor was believed to be the reincarnation of Penlop Haap, and it’s said that he always saw this coming. He had stored hundreds of strange balls stitched in animal hide, which looked like stone used in ancient weighing scales, in the fireproof basement of the Dzong.

Paro Penlop Dawa Penjor(?)
Later after the ashes cooled down, and when the entire officials were worried about the reconstruction and even planned to send people to India and Tibet for donation, Penlop Dawa Penjor told them not to worry about funds. He sent his men to collect the stones covered in leather from the basement. Confused men thought the Penlop was severely shaken by the fire incident; nonetheless, they presented hundreds of heavy balls to the penlop. He then cut open the leather covers and showed hundreds of football-sized balls of pure gold. He is said to have funded the entire reconstruction and most of the objects in the Dzong today were made of pure gold.

When the Dzong was completed, Penlop Dawa Penjor approached the people of Pangpisa to bring the sacred head relic of kudung for the consecration ceremony of the new Dzong. He promised the people that it would be returned in three days. Penlop Dawa Penjor was known for his honesty and integrity and when he approached, the people consented.

1914 Paro Dzong restored to by Penlop Dawa Penjor
On the third day of the consecration ceremony, birds hovered over the Dzong and made strange sounds; some birds fought overhead and dropped dead on the Dzong courtyard. Dawa Penjor immediately consulted his astrologer and found out that if he didn’t return the head relic to Pangpisa, there would be a threat to either his life or the safety of the Dzong. He returned the relic right away. It was later discovered that the people of Pangpisa had been performing deadly religious rituals for the safe return of their most priced treasure ever since the Penlop took it from them.

The sacred head relic was sealed in a box by Paro Penlop and opened once a year for public display during a major ceremony. The sealing after the ceremony was soon done by Woochu Drungpa. Trongsa Penlop Jigme Namgyal upon hear that ordered the boxed to be sealed using his seal because he didn't like the idea of Woochu Drungpa putting his unholy hands on the precious National Treasure. Woochu Drungpa was the official responsible for punishing criminals and had his hand in many executions. A certain Zimpon Sangay carried Jigme Namgyal's seal and sealed the box, never to be opened again.

It was only recently the seal was finally broken, and the sacred head relic was displayed for public viewing. It was said that the seal on the box was always called "Sangay's Seal" and many thought it was Buddha's seal (Sangay=Buddha). Later upon verification, they figured out that Sangay was Trongsa Penlop's Zimpon Sangay, who sealed the box on behalf of Trongsa Penlop Jigme Namgyal.

The Scared head was on display on the day I visited Ugyen Guru Lhakhang in Pangpisa. I just look at it for the longest time and wondered what a journey it underwent across almost 800 years.

Paro Penlop Dawa Penjor's wife's home in Paro Geptey, now converted into Heritage Museum

Disclaimer: There could be inconsistencies in the historical events and dates; therefore, I remain open to feedback and advice to make this thrilling narrative as close to fact as possible. 

30 June 2015

History of Terton Sherab Mebar We Missed in School

My mother told me tales about a certain Pangpi Lam, who went to Nub Tshonapatra, a lake west of Haa, to fetch golden pillars growing on the lake's bottom. He took a group of carpenters who were to fell the golden pillars when he vanished the water from the lake. The carpenters were instructed to take the gold splinters from the one-foot margin they were given for chopping.

Nub Tshonapatra (Tsho Na Pa Tra) Picture: Dechen Pema
But the carpenters grew greedy as they saw chunks of gold flying all over on the impact of their axes. They went beyond the margin. Lam signalled the relentless carpenters to maintain the margin given because he had held up the lake water in his mouth and could not speak. Lam had to shout at them to stop when the workers went way too much, but then the lake busted out of his mouth and killed all workers. The raging water then chased Lam, who now lost his meditative concentration.

Lam fled with some treasures he had extracted from the lake, which he threw one by one to distract his pursuer. Each time he dropped an object, a portion of water settled over it and formed a small lake. The lakes were called Nga Tsho (Drum Lake), Dung Tsho (Trumpet Tsho) and so on, named after the treasures they were concealing. When the Lam finally reached his monastery, the water retreated, and by then, Lam had only a cymbal with him.

Nub Tshonapata and all the other lakes


I thought it was another folktale until I learned the presence of the single cymbal in Paro Dzong. It can be seen and heard during the first day of Paro Tshechu. That made me interested in the story of Pangpi Lam.


The single Cymbal in Paro Dzong believed to be from Nub Tshonapata

Then I learned that there is a place called Pangpisa where the legendary lam lived, wherein the name Pangpi Lam came. His real name was Terton Sherab Mebar. I was told his body was preserved to this day. It even connected to the famous Pangpi Reip, the medicinal ball reputed to cure any form of internal infection, including cancer. The Reip was said to be rolled out from the dust gathered from terton’s remains.

All these fragments of mythical and historical information finally formed proper shape and fitted together on 24.06.2015 when I visited the very place, which is now called Ugyen Guru Lhakhang, in Pangpisa. Thanks to my friend Sonam Ura for making a special arrangement for our team on the day they had all the treasures on display.

Despite the bad road, a huge crowd has come to receive blessings from supernatural objects. Our team patiently waited until late afternoon to take our turn. It was worth the wait because the crowd had disappeared and we were just about twenty of us at the end. We sat around the current Pangpi Lam, who had all the treasure displayed on his table.

The charming and witty orator began the history lesson, and for the first time, I realized that Terton Sherab Mebar lived way before Zhabdrung and even before Terton Pema Lingpa. He was believed to be born in 1267. As a passionate history student, what was very intriguing about him was the specifics we could draw right out of the three tiny pecha (religious text) written on palm leaves in his own handwriting. The two were said to have details of his treasures and one about his own life.

As much as I love to share about the Terton, I am scared I might dilute the great piece of history. Therefore I will dwell on certain aspects of his life and legend and leave the rest to serious historians like Dr Karma Phuntsho to do justice.

Terton Sherab Mebar is believed to have approached Bhutan through the Jomolhari, where he was said to have discovered his first treasure on his way from Tibet. He continued to Bumthang through Baylangdra in Wangdue. Once in Bumthang, according to his prophecy, he had to look for a girl called Pema Chuki of a certain age to accompany him in discovering certain treasures, but that proclamation did not go well with the locals. It instead triggered suspicion, and the then ruler in Bumthang, who too had his eye on the same girl, didn't want to believe in such a prophecy. 

He demanded Terton to prove himself to the people of Bumthang by discovering treasure from a nearby lake, the current Mebar Tsho. Terton resisted, saying that the time hadn’t come for the Mebar Tsho treasures to be revealed. He told them that three generations later, his own reincarnation, which we now know was Terton Pema Lingpa, would come to discover treasures from the lake. This only added more suspicion, and he came under tremendous pressure to prove himself by going to the Mebar Tsho with a burning lamp in his hand. He came out with two chests of treasures that he returned to the lake immediately to be rediscovered generations later by the rightful Terton, Pema Lingpa.

He seemed to have failed to win the goodwill of the people or the ruler of Bumthang because he could neither marry Pema Chuki and nor discover the treasure he was destined to do in the company of the prophesied khandro. This was the beginning of many events that would go wrong in his life and ultimately cost him his life.

The subsequent failure happened in Pasakha, where he was prophesied to discover a cave of gold, silver and salt. He meditated near the area and caused a landslide that opened the cave door to endless resources, but it's said that he met three people carrying empty baskets on his way to the cave, which was considered very ominous. He knew something was not right. By the time he reached the cave, everything had turned into rock and sand. 

He finally reached Pangpisa through Sombaykha and Jabana, the ultimate destination to which he was directed. It was here that he had to wait till the age of 25 to head to Nub Tshonaparta to reveal the world of treasure wealth that could sustain our country throughout times to come. It was prophesied that he would visit the lake seven times in his lifetime. But as restless as he was, and because of his reputation and the growing suspicion even in Pangpisa, he had to leave for Nub Tshonapatra earlier than prophesized to earn his respect back. That’s when the story my mother told me happened. It was a big failure. Thirty-two carpenters and workers were reported to have been killed that day.

In addition to what my mother told me, some folklore has it that Ap Chundu, the local deity of Haa, was said to have negotiated between the Lam and the raging lake when he was chased by the lake. An agreement was drawn stating that Pangpi Lam and his descendants would never cross Tego La towards Nub Tshonapata. This term of the contract is honoured by the people of Pangbisa to this day.

It's believed that Ap Chundu had a role in the actual prophesy to accompany the Terton to Nub Tshonapata in extracting the golden pillar when the time was right but Sherub Mebar had taken local carpenters ahead of the destined time to put an abrupt end to the grand prophecy.

Terton, who was actually prophesied to live for ages and discover many more treasures died an untimely death in his 30s in Baylangdra, Wangdue.

The handwritten record left by Terton himself and the numerous treasures he left behind support all the tales and events in more incredible details and astounding preciseness.


In my next post, I will share about the thrilling journey of Terton’s Kudung (body) from Baylangdra to Pangpisa and to Paro Dzong within the span of 700 years. Only the skull of Terton's Kudung survived today, and it’s back in Pangpisa, which was on display on the day I visited.